Master Talent Career Coaching

How to hold focus on camera when in a group audition or with a partner For improvised and scripted on-camera scenes, when possible, find a way to “motivate out” your actions and/or dialogue at least fifty percent of the time to maximize your facial exposure. Motivate...

Moving to Los Angeles to Act

by Ryan Kolbe Follow @ryankolbe My intent with this article is to inform people who are thinking about transitioning from a “stable, 9 to 5 job” to an acting career in Los Angeles of the expectations they should set for themselves in going through the process. I have...

Questions & Actors

by Karen A. Pavlick We become actors and lose our voice? What’s that all about? If there is one theme that seems to run through all the questions I’ve received from actors more than any other, hands down, is fear to use our voice. Do you remember one thing that you...

Tough Love for Actors

by Paul Russell How Often Should Actors Contact Agents & Managers? “How often should an actor send a submission to an agent when seeking representation?” was the question that came flying at me this week during my master class. I got a cartoonish jaw-drop gape...
April Featured Member – Terri J. Freedman

April Featured Member – Terri J. Freedman

Coming from the San Francisco Bay Area, I have a tendency to play colorful characters like the ones I grew up around. I have worked from stage to 1080p full-screen, and am a proud SAG-AFTRA member rocking it out in Los Angeles. The other half of my life is devoted to...